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A Few Short Words

Month

December 2012

A Detective Story – One Part

Secretary says she hates me. I don’t buy it. I lean against the edge of my desk and fold my arms, watching as she minces towards me, her neat little steps swinging heel toe heedlessly through the minefield of papers and notes and carbon effluvium entrenched on my office floor. Planting one modest plum coloured heel against the nearest column of detritus, she snipes me a look of apathetic resentment. Her skirt rides up on the swell of her thigh and my skin prickles with the sweet hot shame of desire and the thought of vanilla ice-cream melting on pancakes.

‘You’re twelve o’clock is here,’ she says.

When I tell her I don’t have any appointments she sights me down the barrel of her nose and chambers another citric glare, the room steeped in that venomous brand of silence only a woman can excrete. I’m sure I don’t remember but I shrug acceptingly. Secretary sighs and flicks her heel out, toppling the papers underneath and sending a domino cascading through the room. She spins around with a reckless elegance and sails back the way she came.

‘Buy a calendar,’ she says and pours herself through the door.

There’s barely time to catch my breath before Twelve strides in and takes it back. She carries the scent of camphor and herself like velvet, in a dress so honest that I’m not sure where to look. I salvage a chair from the debris and motion for her to sit down. Retreating behind my desk, I reach for the bottle of oak aged fortification I never bother to put in the top drawer. She watches me with a still, hawkish candor while I evict a family of wasted pens from a tumbler and clean it with the backside of my tie. For some reason I want this to bother her. I pour myself three middle fingers and practice looking at her face.

Sometimes I can hear Secretary scrabbling for information in the other room. We don’t talk about it and normally I don’t care what turns the girl’s key, she keeps quiet and it makes me think she cares, but her silence behind the door while I’m in front of Twelve gives me a dry, cheese grater pang of cheaters guilt. I want to take off my skin and wash it.

Twelve breaks my mood with a voice that’s somehow wide and warmer than I’d expected, gravelly eclectic like rain falling on limestone. ‘I love the decor,’ she says, not looking around. ‘How do you find anything?’

I tell her I use hard work and diligence and she makes a little humming sound like a stovetop element warming up. Maybe she would have preferred luck. I watch as she slides her fingers into her tiny pink clutch, probing for her desire, amazed that she can fit anything in there. I don’t ask if she would like a hand. She comes up with a menthol Kool and slides it between her lips.

‘Can you light me up?’

I dig a box of Redheads from my tool drawer and toss them over. There’s a reckless elegance to her movements as she catches the matches, the liquid rhythm of a wave riding its surfer. I’d prefer to watch.

‘They told me you’re the best.’

I’ve never met them but I know the type. It could be true but it’s probably all lies and accusations. I stare into her silence, sipping rum from my tumbler and listing the names of sins in my head. I’ve always liked sloth but I never get time for it, I’m always too busy avoiding other things, like people who might feel the need to talk about me with dangerously attractive women, or tigers, which seems easy but requires the same level of vigilance.

‘Most of it was better than worse,’ she says finally, using my floor as an ashtray.

That’s still no reason to believe it.

Vista

We sat on top of a mountain shaped like a molehill and looked over each other’s vistas, you through your lens and me through the soft pink haze of adolescent love. Every time the shutter whirred I wondered what you saw, considered the treachery of images, and shrugged my inner monologue. Every time you paused I scrawled, with shaky butterfly fingers, notes on admiration that read like playground sonnets. I used my pen to stem the pent up and sketch an allegoric sunset, which you drank with our draught and laughed over, wondering that love could be so young.

Senseless Sensibilities

I fucked Dylan last night. I know, right? I totally shouldn’t have, then three Long Island’s and a tab of what the guy told me was LSD but was really more like MDMA (or whatever, something just as cruisey), and I’m thinking fuck it, I don’t have to suck his personality. Sometimes you just want a guy to hold you down and press all his manly shit against you while you writhe around beneath him shouting the names of Jane Austen protagonists at the ceiling. Really though, it was a mistake, even if it was suspiciously good.

I don’t like sleeping in foreign beds or talking to my sex toys, so I wake up while Dylan is still dreaming about beer tastings and MMA fights or whatever homoerotic shit guys like him dream about. I try to leave and get half way free before I notice my right hand is still cuffed to the bed head, which is something I don’t remember being involved in last night but is totally a thing. Most midrange love cuffs have a quick release switch on the side of them (which always blows me away. If you’re going to put yourself out there, fucking commit to it). After a minute of fuzzy, incompetent pawing, that makes me picture something out of Jigsaw’s spring break, I get my hand emancipated and slither upright.

Of course that’s when he wakes up, as I’m standing there, inconsolably naked, wondering which part of his adolescent pit has swallowed my clothes. His face is wrapped around this prissy, lion’s pride grin, as if I’m some endangered animal he just brought down. I push my hair back on my head, hoping it stays there (it’s the only hair left on my body and it fights me so hard I wonder why I keep it), and glare at him with indentured defiance. I ask him if he’s seen my shit and he laughs so softly I have to strain myself not to kill him.

Eventually I find my clothes and slink away. I had to leave my dignity behind, though honestly I can live without it. Dignity is just something people drape over you for not spilling drinks down your dress, making out with bass players or vomiting out of cab windows, and you can still be plenty indignant without it. What I can’t live with (or don’t want to) is knowing that everybody is going to find out I let Dylan stick it to me. Social networks and strangers with drugs, I always get burnt by the things that I love.

Subdermal

I can feel my skin wearing me, even after all this time it feels borrowed, like an Amazon meat sheath delivered to the wrong door and not returned out of necessity. It doesn’t even look like mine, but I’ve been hauling it around so long it’s gotten hold of familiarity and keeps wringing the thing every time somebody sees us. I can’t peel it off or pry me out of it, even if I could how could I choose a replacement, I don’t know what I should look like. I resign myself to it and all its incumbent tortures.

Vérité

These days I have to watch art house porn, I can’t get off unless it looks like it was shot on a budget. Not that hand cam kind of shit though, the real life of fucking market that isn’t real or lifelike, I need something that smells of misguided integrity, filmed at obscure angles in front of improbable scenery, with tattoo wielding fringe girls smiling like the Mona Lisa’s pallbearer, and all those grainy lo-fi filters that make it look like someone handed Instagram your fetishes. I guess it makes me feel better knowing the director’s wanking too.

Rituals

I bite my lip so hard while we’re fucking that a drop of blood falls on her cheek. Focused on other feelings, her eyes are closed and she doesn’t notice. I can’t concentrate but she’s moaning, don’t stop, and pushing me into her. I try to wipe it off but the blood just smears under my thumb and makes me think of cartoon Indians in some dark initiation, tribal rights of passage and the drumming of her heart, a fleshy sick percussion that lays under her moaning, her breathy chant and vehement hands forcing me to be a man.

Equal

I walk in on Caleb watching this compilation tape of women licking things, ice creams and lollipops and fruit and even one girl lapping happily at her mobile phone. I assume it’s hers. In contrast to some of his other peccadillos this one seems quite tame. I wonder out loud how such a thing gets made and he tells me reverently, these are women that he used to know, not girlfriends necessarily, or even good friends, just women that he knew. Apparently it reminds him that everyone’s the same. I don’t ask him how he made them do it.

Harvest

The wind is warm and dull and makes my skin feel like pipe tobacco crumbs, crumbling, bitter and maligned. These days my enthusiasm wallows like water pooling in a basin, evaporating slowly, leaving the surface scorched, barren and longingly deprived. I’m sick of planting crops of hope that wither on the vine. Rakish, pallid and untended things, with the texture of dreams and inherited ephemera. I think if I could only immerse myself, maybe my landscape would flourish and grow some verdant purpose. Would that it would rain, wash the sallow from my skin and renew the whole again.

Solace

Jonah stares into the mirror with magnetic repulsion, scowling joyfully at the reflection of his nemesis. I hate you so much, he says. The words leave a bitter ambrosial tang upon his tongue as he repeats them with a steady mantric affluence. I will kill you, he ventures and the nemesis just smiles, benign, leaving Jonah feeling defeated and resentful. He turns away, seeking solace in absence, but still he sees those eyes that read like a why and hears the voice delivered in his tone, holding disconcerting diatribes that he keeps trying to disown. Together they are alone.

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