I’m stuck to the screen when a toothpaste ad reminds me I haven’t cleaned my teeth in two days, which means I haven’t showered in two days, since that’s where I brush. It’s more efficient that way. I wonder how long a body can survive unscrubbed, if filth and decay is a life or death process. With no infection or interference, no action or interaction, what minor scum accrues can only be more skin. An excess flesh carapace encasing my corpus in quiddity. Then an ad for a dating app comes up and I decide to take a bath.
My dealer’s gone eco. Insists on a container or she won’t sell. Reminds me that buying drugs isn’t a consumer affair. Where else do you find the power to simply say no? Anyway, I’ve been bringing her tins and baggies, unloading my recyclables gratis for gratitude. Of course, I still have to pay for the goods. Though I wonder, down where cynicism lives, does she make more profit preferring a DIY dealership? At grass roots it’s only one lady in a chain, removed from corporate mandate, who wants to make the world a better place by enforcing sustainable consumption.
We’ve seen too many vistas in too short a time, become insignificance in the face of it, standing at the base of the vanishing points. The world outside the car grown alien as landscapes sweep past like rendered passages between the pillared frame of steel and glass. We stall at sanctioned landmarks, locking them in black boxes to look at later and remember we are linear. From here you can see the shadow of our futures, all looming at distance in recreation, momentary cinctures stringing the self along in retrospect. Not stopping to survive, all we do is drive.
She wanes and waxes, cutting shapes in reflected lights. Easier to catch, harder to predict. I watch from the sides, scared to commit, afraid of failure, breeding shame. I sit still as she shifts and shimmies. But the lights accept her as their own and she breaks apart into a billion brilliant particles. The air becomes her, forms a lustre making sweat sheen, banal beatific, dull keen, and radiance sublime. Now her light is everything. That, I will never be. I sit still and settle for proximity. She coalesces and cavorts, reshapes herself and sees me. Join, she gestures…
Barbara runs into me at the rocks by the north quay ferry. She’s getting off and I’m taking my time. We say, ‘Hey,’ in uncertain cadences like chastened children forced to make nice after a fight. It was never so hard before. She looks at my shoes and the stairs and the rocks and the sky and all the spaces where something might be that isn’t me. There’s no silence in the city. Pointing away, I tell her, I’d better go, but she’s already a few steps above me. Indirectly she says, ‘Nice seeing you,’ and continues her ascension.
Beyond the flesh I miss her mind, or moreover her presence now in absence. In cerebral invasion I envision this floating thing, like an orb unmoored by gravity, a hovering visage flitting and forming simple actions and single lines, slices of time that, like scientific slides, cut a swatch of understanding from the whole. I guess you could say, the soul, but it’s divorced from dogma and drawn in cotton watercolour. Well, whatever the render, it’s what it represents. Memories and summaries that somehow draw a person in relief. Beyond the flesh. Beyond belief. Totally occupied by her vagrancy.
Sometimes I take cigarette breaks I don’t really want just so I have a good reason to be alone. A lifetime of tiny deaths seem worth the price of a little isolation. It’s not that I don’t like people but I don’t want to be around them when the cost of even the best interaction is deep and swiftly taken, leaving me shucked. It’s nobody’s fault but mine maybe, for feeling myself so seperate from the rest. Sometimes I just need a minute, to recalibrate, breathe, and become human again in my own way. One day I’ll give up.
Once year I smash a bottle of Southern Comfort on the ground. She would hate that, I hope, it was her favourite and her favourites were sacrosanct. The pleasure it gives me is short but large though largely without solace. I look at the shards and sticky liqueur and say it’s a metaphor, that it’s symbolic. I say that, but it’s not, it’s wasteful, scattered thoughts, passions, anger and obsession. I hurt myself in ways she would love and say it’s expression. Of what I don’t know, but once a year I smash a bottle and remember being broken.
One hundred seventy eight square centimetres of contact from shoulder to shin. Palm to palm, forty six when pressed flush. A rush of blood in a minute round trip, tip to tip, past the heart. Two spoons, one big, one little, hard held in tapered flesh. The breaths are a current across neck and shoulder atomic flecks that rise and blend with periodic heat, see oh two, particles mixed and settling into concentration. Presupposed adipose tissue with no limp lipids is crackling with kinetics, so rate of force is of course glorious and love is the result-cum-catalyst.