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A Few Short Words

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Fiction

Samantha

She moves so softly I don’t know she’s there until she slips her hand into mine. ‘Come on,’ she says, and leads me towards the cab rank. I let myself go with her. I don’t want to be alone and I don’t want to be around people. There’s something empty about her that makes this feel like getting both. It’s wrong, but it’s easy.

In the back of the cab she takes my hand again. She’s telling me about her night and all her friend’s problems. I listen dutifully, detached. The way she talks about them I can tell she thinks we’re perfect.  It feels like her hand is getting tighter the longer she talks, like cranking a vice. There’s no air in the cab. I wind down the window and press my face into the breeze.

Of course we sleep together, but I can’t switch off. I don’t feel anything, my thoughts override my senses. Afterwards she slides across the gap between us and lays her head against my chest. ‘How long have we been doing this?’ She asks.

Fucking? I say.

She slaps my thigh playfully. ‘I mean all of this.’

I’ve been doing this my whole life, but I know that’s not what she means, so I grunt. She goes quiet. I can hear her breathing in and out in a sharp little staccato that punctures the silence around us.

I tell her I know, trying to stop her saying what she wants to.

She lifts her head up, startled, and raises an inquisitive eyebrow at me. ‘How do you know what I want to say, huh?’

I tell her that she’s most transparent person I know, that I can read it on her.

She throws her head back down on my chest with a little huff. ‘Well, I want to say it,’ she says. ‘I need-’

I tell her she doesn’t.

I push her away and slide to the edge of the bed. She looks so small, when I look back at her, lying crumpled in the sheets, wearing only a look of sad resilience. She catches my eye snorts defiantly. ‘I don’t care. I love you and I want to say it.’

I tell her she shouldn’t be in love with me, that it was never what I wanted. I don’t realize I’m shouting until I see the look on her face. She’s fragile, but somehow I’m the one who starts crying.

I shouldn’t, but I stay the night. I have strange dreams.

When the morning light pries my eyes open I try to sneak out, but she stirs as I’m halfway through the door.

‘I want to talk about this,’ she whispers.

I know you do, I say, closing the door.

Lessons

The first time I died I was sixteen and learning to drive. I was getting good too. I tell myself now in the middle of the night that it wasn’t my fault and it’s probably true, though I’m not sure I believe it. I don’t remember much, just dad eternally dialing at the radio presets as though they might start broadcasting new stations if he came around one more time, and mum chattering in the back with one eye in the rearview mirror and the other on the neighbours lawn. I remember waking up and knowing things were different.

Charity

I take the pamphlet from her and let the spiel go over my head. There’s a scar crossing her nose like a spectacle bridge, I want to run my thumb over it when she smiles. I rest my eyes on her lips and ride the cadences spilling from them, rollercoaster consonants powered by enthusiasm. Her voice feels like melted butter smells. She stops when I take her hand and put the pamphlet there. Even in the shadows her fingers are warm. When she retreats, there’s an apology in her movements that doesn’t show in her eyes, so I smile.

Tender

Colt sits down with his usual heaviness, spilling beer onto the table. I blot at it with a coaster but it just herds the beer around into little Moses channels. Colt slides the low tide drink at me through the streams and nods over his shoulder. I finish off my beer and raise my eyebrows at him down the length of the glass. He leans over the table, his slender fingers plying unseen pockets, and manifests a cigarette. In conspiracy tones he tells me I should fuck the bartender. I tell him beautiful women make me want to die.

Narrow

The air is thick with the threat of rain. Shadows wander the streets in the auspices of a vagabond sunrise. The baker’s ritual clogs the alleys with olfactory rolls and damper scones. A depression in the street has become a burrowed slice of haven, clouded with refused takings and the leavings of scavengers. In the last dead end, Junk Struck Larry lay his head, his lip curled in imitation of his body, a freshly milled pout made with an old recipe. A discard ragged wraith haunting a stolen castle, lain in a bed built of goodwill and bad intentions.

Mourning

She leaves before I decide to ask her to stay. I hear the door click shut and her heels clack away. I lie there with my eyes half closed telling myself I’m still asleep. I pull her pillow close to me and try to paint her in its scent. When she’s asleep I talk about myself. I find things I couldn’t see during the day and lay them end to end at the start of her dreams. I miss her then. She always wakes before I do. I lie there with my eyes half open, hoping she will stay.

Marion

Marion liked her life, mostly. A bit anyway. She liked the bits she liked, brief as they were, and put her head down through the rest. Which is about as much as can be said for anyone really. It was comfortable though permanent, in the way that a life will set over time like concrete drying in the sun, a child’s name scratched into the surface with amateur fingers. A baking fate. At night she put herself to bed with a liturgy of crime drama and soft-core prose. She didn’t trust herself with anything as risqué as romance.

Static

Driving along in Colt’s rattly old Valiant which he never fixes but says is a classic, on the way to nowhere for a hide and seek party. We fall into a rhythm of bitumen and telephone poles, the radio gnawing its way through static and garbled golden oldies under Colt’s relentless scanning. I roll the window down and fly my hand in the wind, my hair whipping around my face. I close my eyes and feel the air rushing against my palm, pushing its way through my fingers, chasing the sun as I pitch my hand into the sky.

Impulse

The girl just shrugs her shoulders, her blank face flickering blue-black in the television glare. A blender whirs and churns under the touch of a middle aged shopping network Barbie doll, its virtues diced into ticker traffic bulletins that flow like river flotsam across the bottom of the screen. The girl stares, unseeing, unmoved by the Barbie’s ministrations. I can see the failures of her life welling up behind her glassy eyes like aquarium lobsters waiting to die. I reach my hand out to her and she whimpers softly, though I’m not even sure she knows I’m there.

Motel

They stare at the painting, faded acrylic pushed against bare red brick. A tiny boat in an ocean scene, still within a squall. They follow it, he towards serenity and her into its maw. The threat of storms. Her voice lowered in the light but shedding its own upon the room. He watches her silently with time rimed eyes, propped up in bed as though king of a soiled throne, while she gathers up her clothes and hangs them on her frame. She can feel him tugging at each of the strings of self-consciousness tied to her body.

Deal

I nearly got stabbed last night. Is it still a stabbing if they only cut you?  The guy standing there, slashing his knife around in the air. I had to throw the bag of weed at him. I run past him while he fumbles with the bag and the knife, nearly breaking my neck on the mess of ethernet cables and pizza boxes living the hall. I pull myself up and run through the lounge screaming, it’s a bust! My deadbeat brother sits there in rigor mortis bong grip, watching me with dead eyes and that sadistic grin of his.

Brosie

Ambrose lay outside the door, waiting quietly to be let in. He had no idea how long had he been there but it felt like forever. It was so cold outside. The rain was strumming its first few chords against the chill pavement while the wind blew its vicious beats against the windows of the house. There was something coming for him, he could sense it. It made his shoulders tense and the hair on the back of his neck stand up. A lifetime of instinct told him to flee, to hide, to get as far away as possible before it found him. I should run he thought. Something made him stay.

This is a safe place Ambrose thought, I’ll be safe inside. He looked around him at the familiar surroundings. The deck and the banister of the old Queenslander home, the faded couch he’d spent so many summer afternoons on, passing the time in the sun. It all looked so foreign in the dark. He snorted defiantly and tucked his head against his chest.

A flash of lighting over the horizon made him shiver. It wouldn’t be safe out here much longer. He had to get inside. Ambrose knocked gently against the door. Nothing was stirring on the other side. The house was silent. Whimpering softly Ambrose lowered his head again and closed his eyes. It was useless, he wasn’t coming. Ambrose had spent his whole life with the man inside and now here he was, alone in the dark.

Thunder boomed in the distance and Ambrose let loose another whimper. He had to try again, he couldn’t give up now. He rapped again at the door, his limbs shaking with fear and urgency. Desperately, he scratched at the door, forcing himself against it with all his strength. He was almost screaming now, a hopeless howl torn loose from his throat and lost to the wind. The door stood strong against his attack as the thunder clapped mockingly at his efforts. His body shook and his throat ran hoarse with his guttural shouts.

From the depths of the house a light flickered into life. Ambrose ceased his assault and listened hopefully to the soft patter of feet approaching the door. Despite his fear Ambrose could feel a lightness enter him. This was it, any moment now and he would be safe.

Andrew was dreaming of the ocean when the noise woke him. All that banging and bustle on the porch, it had to be Ambrose. He pulled a loose cotton robe around his shoulders and started towards the front door.

‘Every time,’ Andrew muttered to himself. ‘It’s just a damned storm, Brosie. Nothing to be scared of.’ He pushed open the door and looked down at the silhouette of his dog huddled on the porch. ‘Come on, get inside you big wuss,’ he said.

Ambrose unfolded himself slowly from the ground and looked up sheepishly. He trotted past the man and into the hall, his tail wagging happily.

Andrew shut the door behind them. ‘Go on then,’ he said. ‘You can sleep in my room.’

Sand

She sits on the sand letting the wind play with her hair, waiting for meaning to wash in on the tide. The dusky sun shines its half hearted rays around her feet, too concerned with keeping its head above the horizon to worry about others. Its light has no bite. She digs a soft, slender fingered hand into the sand and imagines its future. Glass, a vase, tall and slim, filled with tulips arranged with delicate precision. She pulls her hand free from the silt. Tiny grains cling to the moisture on her skin like a sandpaper glove. This is what it feels like to be alive she thinks.

As the sun relents, a silver sheen overtakes the waves and coats the beach. A chill sneaks quietly across the sand like the breath of the moon, asking the girl to pull her shawl tighter around her shoulders. It’s getting late she thinks, I should be getting home. I should be doing something. With a sigh, a perfect pitch to match the moon, she slumps her shoulders and falls back into the sand.

‘No,’ she sighs, ‘I won’t go.’

There’s no need. I make my own rules. My own choices, life. I make my own life.

‘I make my own damn it.’

The moon settles in its arc and looks down passively at the girl. The wind has stopped playing with her hair, finding fancy building banks of sand against her skin instead. Like a shipwrecked relic, the elements do their best to reshape her. Rivulets of sand trickle across her torso and form islands in the folds of her clothes. Grain after grain it marches and mounds against her body. She digs her fingers into the sand and grasps at its embrace.

‘You know me,’ she whispers, ‘because I’m part of you.’

Spoilt Mangos

I remember watching Ikky sink and thinking I should do something, that I should be able to help, to stop it, to save her. I was never able to save her. I used to watch her playing with Dash in the orchards in summer. They’d come out for the harvests when the mangos were ripe, we all came out. It was tradition. Ikky would lift Dash onto her shoulders and he would pass the mangos down to her to fill their baskets. Every now and again Ikky would lower Dash to the ground and they’d spread themselves in the shade for a break. I remember how she used to look at those times. She always wore her hair in a high braid, the kind that wraps around the back of a girls head. I remember one year she wore a dress made of pure cotton, white and red. I thought she looked like an angel, the light playing around her braid like a halo of gold. It was unbearable to look at her sometimes, and even worse not to. Mother would curse a streak at me for my share of dropped mangos, unusually high when Ikky was about.

I don’t think Ikky ever knew I was watching her, not how I was watching her, but occasionally she would see me looking, staring like an idiot, and smile. My heart would skip like a rogue butterfly and I’d let loose another mango from my hands. She was so beautiful and so far away. Maybe it was better that way, maybe she was better that way. I used to think that if I touched her, if my hands, these callused dirty paws on the ends of my wrists, if my hands ever touched her skin she would spoil. I thought I was unworthy. I knew I was beneath her. But how badly I had wanted her, any and all of her.

When I heard Ikky was to be married I could hardly move. I remember Mother took me as sick and sent me to bed, my supper cold and untouched at the table. I lay there unable to close my eyes, breathing only out of stubborn habit. My body wouldn’t let me die as much as I had wanted it to.  My angel, my untouchable angel was to be given body and soul to another man, and worse, infinitely worse, she had wanted to be his.

Carlos was a brute. He had always been a brute. When we were young Carlos and I would play with the other children in the fields behind the tar pits. The simple games of childhood, imaginary and safe, though Carlos was never content with safety. I think to myself now that Carlos was simply never content. I remember one day while we were playing he got it into his mind to dare poor Vim to brave the tar. Vim was the youngest of us, the runt we used to say, always biting at our ankles. The older children, myself included, would take turns walking into the tar, as far as we could manage and back again before we were stuck. We never let Vim take a turn, he was too little, too scared, too likely to panic. To Carlos, this just made him sport. He taunted Vim, jeering at him, calling him names. We all joined him, none of us wanted to lose favour with the brute who could so easily torment.

I remember the knots in my stomach as Vim took his first step out onto the tar, his arms raised from his sides to balance his weight. I wished for him to make it out, and more to make it back. If he cried now or backed out Carlos would never let him forget it. Vim took his first step and faltered, I could see he was scared, we all could. It didn’t stop Carlos though, his taunts just grew to match Vim’s hesitation. I think now that Vim kept walking simply to escape Carlos and his jeers.

Vim was too far out before I knew something was wrong. His steps were coming too far apart, taking too long. I could see his feet. The tar clung to his soles too readily, too greedily. I yelled for him to come back, to turn around. I remember thinking he was too far out to hear me, that the tar ate my words as easily as Vim’s footsteps. The other Children were silent, even Carlos. I told them to run back to the village and get help. They fled, happy to be away from the sight of Vim and his sinking determination. I remember standing there beside Carlos, unable to move, unable to help. I remember looking at Carlos as the tar ate what little remained of Vim’s innocence. His face was like stone, cold and passive. I had expected there to be horror there, or shame, or regret. I had expected something to be there, but there was nothing. I saw the same look on Carlos’ face on the day he and Ikky were married.

I turned my eyes from the brute and sent them out over the pit. There was nothing to see now. Nothing to hear but the faint bubble and grumble as the tar settled its stomach. The heat coming towards us from the middle of the pit did little to warm the chill that had taken hold of my body. By the time the adults arrived it was too late. Vim was gone and so was Carlos’ humanity.

I remember watching Ikky sink and thinking of Vim, thinking that I should be able to help now where I could not back then. I remember thinking that she was right. Ikky did what she had to do to escape, just as Vim had.

Sand Dunes and Weathermen

The hourglass exhausts itself and I turn it on its head. I watch the sand rerun, the grains tumbling over each other, erratically uniform, building a mountain out of moments from the past.

I can hear music.

Supine, Marion tells me, it’s supposed to be hot.

I watch the time drain away.

She lifts her arm into the air, palm up as though cupping a ball. ‘We should go to the beach,’ she says.

I tell her the salt sticks to my skin, that I feel granular.

Insular on the couch, Marion is silent, flexing her fingers around the ball.

I count the grains a second at a time.

‘Only, when it’s hot,’ she offers, ‘you should be somewhere that feels hot.’

I tell her that it should feel hot in hell, that she’ll be comfortable there, and watch the ball explode between her fingers.

How many grains in an hour, I say

Marion drops her arm over the back of the couch and pulls herself up. There’s a crease running down the side of her face from the way she was lying. I don’t say anything. She looks at me and scowls, the crease unyielding.

‘Science,’ she says, as though that were the end of it. The scowl slides away and she fits a smile in its place. ‘Take me out.’

Like a hitman, I say, and the smile doesn’t fit anymore.

She disconnects her arm and lets herself fall back. I hear her sigh float up to the ceiling. ‘Are you bored?’ she asks me.

I tell her no, I can’t think of a better way to pass time.

A stale piece of popcorn launches itself over the couch’s fabric ramparts. It misses me and lands on the table. I look from the popcorn to the hourglass. Grains.

‘I want to see the sun,’ the couch tells me. ‘I want to lie in the sun.’

We’ll never get you out, I say.

‘If you don’t take me,’ she says with the cadence of a threat but none of the potency, ‘I’ll take myself.’

I get up and stand behind the couch, looking down at Marion.

Why don’t you move?

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