A penny for your thoughts and a quoin for your wall, I’ll scream from the ramparts, I love it all. From curlicue to balustrade, balcony to bay, I relish the delicacy with which your facade is made. In basement, through casement, under transom and truss, a handful of setbacks will never break us. Beautiful buttresses and steep moulding spires, immaculate masonry and a hearth full of fires, and under the eaves an attic rife with desires, my one castellation now thrown to the pyre. A last little roundel placed on my heart, one final flourish that sets you apart.
I wake into her as the drowning man, gasping and lost. She strokes my hair as the seawater nightmare drains from my lungs and says, ‘Hush.’ Have I been sleeping? ‘Sort of,’ she says, ‘in a way we both have.’ My skin seems aerated, void of tension, and I worry her arms wont be enough to tether me. ‘Don’t worry,’ she says, as though my thoughts were a stream running over opal pebbles and passing from her lips, ‘we have each other now and that’s all there is.’ I worried I might never wake, I say, opening my eyes.
All that shifts in the night is silence and smoke. ‘I want to show you something,’ she says. Placing my hand in hers, she lays them on the counter, placid. The smoke coils, dancing between us. Countless molecules shimmer, cavort, and graze upon their fabric. The air warms, its crisp brace shredded in a still kinetic bath. She raises her hand and one hundred trillion atoms are suddenly meagre, they burst and multiply, flitter and merge, shouting joyously across an indefinable space. ‘Can you see it,’ she asks. I tell her, I can feel it. Suddenly everything is different.
I’ve seen stewing.rainfall.eats, dreaming.munch.magnetic and best.prosper.lash, yet nothing has felt so splendid as mutual.minds.dusty, a welcoming kiss and instant ease. Being led through librarian.labels.shelf and insert.they.coherent to life.toast.think where we listened to each other, made coffee to drink and learnt strong surface depths. Moving past scare.types.reveal we lay in exist.light.drums, linked.digits.fears quelled and simply felt. Quench.lakes.giving, watching us with patience, letting in little outside lights, lives.puzzle.lush, while elsewhere the oily river babbles, struck.give.rewarding.
Standing by the cliff, she says, ‘I want you to push me first and then dive in after to save me.’ I don’t ask why and she laughs and the harness tightens. ‘Are you scared?’ Only of losing you, I say. ‘Don’t worry,’ she says, ‘after this you’ll have only lost fear.’ I can almost see her skin eating the sunlight, caramel clashing and consuming the blue. She turns to face the cliff and the future and says, ‘Now fucking push me.’ I put my hands to the small of her back and whisper in her ear, I love…
A tiny brow crease and wrinkle of the little pock that lives above the left. There’s something in her eyes. They’re glistening, not with tears but a spectrum, a fast vastness that ripples and contorts and plays across the iris like a borealis flirting upon the tundra. This thing in her eyes, it doesn’t hurt but does carry fear; it doesn’t propel, but does carry hope; it doesn’t carry her, but does makes her float. The brows push together more, increasing indent. There’s something in her eyes. There’s a word for it, wholly inadequate but labelled, an unbearable lightness.
I wonder what I’m supposed to be some times. A sin eater? A catalyst? Collateral damage? Is it one of those perception things, a parallax error where life doesn’t line up for us because we see it from different angles and they’ll always be at odds? I wonder what that means I am some times. The glass? The water? The waiter? Is it one of those preconception things, a baked-in behaviour as over cooked as this analogy? I wonder what I should say some times. I am, I am not, I may be? Yes, no, maybe? I wonder?
I threw all of your things out like so much good trash. I went out and put it all in the garbage, stared at the recycling bin and shrugged, saying, ‘Sometimes there’s nothing to be done, buddy,’ before walking back inside. All I kept was one lousy photo, it’s not even of you, just some trees you can’t much see and a hazy sunset that means nothing to me. I put it in a box of forgettables, one day I might look at it and remember you, it happens, but it won’t feel like anything, not even a waste.
Billy had a penis growing on his head somewhere. Reputedly it was quite big, as people had remarked upon it many times. Unfortunately Billy could neither see nor feel the penis and its exact dimensions remained a mystery to him. ‘What a dick head,’ someone might say, with begrudging wonder in their voice. If particularly preoccupied with ire or other matters they might exclaim, ‘You are the biggest dick head I have ever met.’ Unsure whether to feel pride at its invisible splendour or shame for the inexplicable tone of exasperation that accompanied its mention, Billy was routinely confounded by the continuing fascination of others. Still, he was pleased to be noticed at all and grew to quite enjoy his phallic point of difference, though it could never be compared to his original visible member he knew deep down that it should be something special to draw such frequent and fervent commentary. Having concluded thus, that his mysterious appendage must simply be splendid to others but was quite literally beyond his grasp, Billy continued to live life as he always had, with a pride of dormant butterflies ever waiting to flutter at a friend or stranger’s utterance, ‘Billy, you are a massive dickhead.’
Of course there were darker times, late at night or whilst dwelling in a pit dug from indecision and inner derision, occasions when Billy wondered why it was he could not see what others saw. What lack might he have, what missing sense or unintelligence was inhibiting his perception? When these niggling threads would irritate the mind, Billy found it soothing to unravel them to their fullest. The midnight oil burnt quick in deep rabbit holes, as he wandering through wiki warrens and endless YouTube tutelage, where an article on auras might lead to an excerpt on extra sensory perception, essays on the collective unconscious drew magicians and medical doctrine together, philosophers and philistines held court over soothsayers and sense memory in discourses that ran a roughshod gamut from zeitgeist and eyesight. Billy grew dizzy with knowledge and an increasing absence of clarity, his head hurt and he would often dwell in a migraine inducing fugue of phallically focussed phantom limb symptoms.
Having exhausted all internal and online avenues, inevitably Billy turned to back to the world for answers.
It wasn’t the knife or the way she held it that scared me, it was years of experience and the absentminded way it undercut her words, waiving it limply along like a conductor‘s baton on a broken wrist. ‘Did you lie to me because you’re an asshole or because you thought you’d get away with it?’ Neither, I say. A bad answer for a worse question. She had me backed into an actual corner. ‘So, what, you just did it for fun?’ I felt the absurd teeth of semantics closing on me and nearly laughed myself to death.
James lay on his back, writhing, and wondered if life was hell. He had eaten part of a page of a Kafka novel and thought it might mean something. It did not. Expelling his supply of futility in parallel with his desperation, James writhed some more and snagged a mesothoracic leg on a linoleum knot, leaving it detached and autonomously alarmed at his side. He couldn’t feel its absence and was shocked at the hole that made. Midst thorax contractions came fatuous lucidity. I should have eaten Joyce, James thought, it might have changed something. It would not have.
‘Like eighty percent of what I say just comes out as ash and lands at my feet so you can kick it around and complain about choking on the dust.’ Sometimes while Jo yells I like to trace the path of my life. I picture little stones placed on a sea of fog and I tiptoe over them, making light little leaps where necessary and cooing at the ruined splendour lurking in the haze. Nothing we tell each other will build me a stable path. ‘Well fuck that,’ he says, ‘don’t light a fire and bitch about the heat.’
Are you seriously asking me if I’ve heard about god? Have you heard of the fucking internet, of art, of television, of books, of fucking humanity? People have been batting that shit over the net for as long as we’ve been scared of the dark. Yeah, I’ve heard about god, and his miraculous cuckold baby. If they have a plan for us all, for me, and it includes the devil and all that rapture battle crap, then it definitely includes me being miserable and screwing up and sinning like, well, every other damned human since the apple was bit.
The streetlights and stars swap their places like cards on a con-man’s table while the bitumen trickles up as hourglass sand back to black the sky. I turn to Damian, now no longer in existence, and say, Hey, did we really take that stuff or was it fake too? Damian nods slowly, the skin on his face sliding down with each bob, dropping the dermis into flaccid folds so that he looks like one of those gourmet wrinkle dogs. He barks through the flaps in his face. That’s what I thought, I say, and watch the world dissolve.
Article originally appeared on The Music Jan 15th 2018
Lowtide’s latest is a feet-first affair, like a few crushing seconds of free falling stretched into an afternoon of self-reflection.
Gabriel Lewis’ chords burst into the atmosphere with cotton-wool softness, simultaneously surrounding and supporting Anton Jakovljevic’s almost-absentminded percussion and Lucy Buckeridge’s languid strumming and wistful incantations. Full of more body and texture than a luxury latte, Southern Mind is outwardly facing shoegaze at its finest, even if that feels like staring through a foggy window.
Much like meditation, it’s not about turning the volume up but rather turning everything else down and, consequently, it carries some of the same pitfalls for the perennially restless.
