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A Few Short Words

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Fitting

A tee started it, the blue-green three quarter he slept in. It hadn’t been washed since and the scents in it kept him close. Cynthia would take it to bed and crawl inside, trying to dream of before. Soon she was into the rest of his closet, chasing down memories of him and wearing them through her days, all the best parts put together like an armoured garment shrine. Gradually she slipped into his skin, sought its council, and bound herself to its past. In the end she brought him back, but it was her we truly missed.

Authenticity

It sounds like it’s coming from above and behind me, the wretched mewling of a cat in heat. I know there’s nothing there but it could still be real. There’s been a lot of that lately, not ugly cat sounds but the blurred feeling of being indistinct in the face of reality. I’m so substantially intangible and harbour such vivid intellectual viscera, when the lines are not only faint but shimmer and shift with perspective, who knows where the truth intersects. The effort it takes to focus on the agreement is exhausting, I get so tired of hearing lies.

Dirigible

Sebastian’s decrepit little face was like a hollow object that people pumped their desires into, inflating it into some bloated resemblance. He loved it too, running around with his valve primed, ready to be filled up by fatuous gasbags and high floating lowlives. It was an effective symbiosis of defective personalities, each party weighed and lifted of their excess and Sebastian desperately trying to absorb some character. Poor little guy, irradiating himself in the glow of those around him, face contorted with the effort, and taking on such poisons. One day he will pop, engorged on other people’s lives.

Mote

Dana puts her hand on my knee and looks at the tip of her cigarette, a yellow red corona in the dim night. There’s the sound of evening bustle aching wearily over the hills, tired commuters and the wheels of industry, endless trains with spliced punctualities that blend the rumble of their schedules. There’s no wind and the air feels one step removed, not coy nor cautious but aloof, distant in the way of oblivion, had it cause to notice I would be as dust. Dana squeezes, biting at my jeans with her nails, and looks into the light.

Antecedent

Posters and stickers mark the walls in history, if I run my hands across them they will tell me a story in the way of Parisian cobblestones. The time before me is fascinating. I try to picture the establishment of things, the scope becomes so vast as to be vague. My eyes start to hurt from looking into it. I squint, breathe, and wonder briefly how to proceed. Caleb looks at my profile with defiant silence and scratches his balls. Because I’ve noticed, I don’t say anything. I drink my water and nod, agreeing with all that has happened.

Incisive

When Sarah talks I picture a knife made out of glass being pushed between my ribs. What seeps forth is a bloodless letting of sins, oozing black and oily thick. Each utterance angles the blade perfectly. The pain is fierce though administers a certain lightness in the wake of its incision. I hated her once, before I learned to love the sharpness there. In time, no doubt, the edges will dull, the sins will build again in calloused pores, slathered onto my skin and ground upon with pumice into vicious mettle. Then the real blood will start to flow.

Plenty

The cashier gets to sit in a little chair and think about nothing while he pushes my items over the scanner like a cyborg metronome. Toilet paper, soap, coffee. Rough night, I tell him. Something sparks inside the black part of his eye, a dying star at the back end of a telescope, dead before it’s seen. ‘Twenty four sixty,’ his stripped out voice with all inflections sanded off. I hold up my card and smile awkwardly into his abyssal face. There’s no echo. He says, ‘do you need cash?’ and I say, thanks, but I should have enough.

Costumed

Papier mâché honesty, delicately finished in porcelain and poise, she wears herself like a mask and nobody notices. Such life draped upon her shoulders, where for once it glimmers, and nobody asks how she got it, though she aches to be revealed. From behind herself she smiles and sadness pours out, pooling at her feet and staining the ground. Revelling in revolt, she shreds the world with her eyes to let the ribbons float. When the truth finally leaves her, it’s light and swift and devastating, yet flits about unnoticed. Everybody nods and says it simply can’t be true.

The Choral Void

They’re not other voices, they’re my voice. They don’t sound like me, they sound like what I sound like on the inside of my head, speaking in the narration tones I’m all twist-wired up to trust. I don’t know if other people get that, probably they do. And they say all sorts of shit that I couldn’t possibly have thought. Fathomless dark, so dark and playing constantly in surround, only wrong somehow and static in the round like radio in vacuum, too loud without sound though and it makes it hard to think. God, sometimes I just wish I could be alone. Proper alone, they way silence feels unheard. I want to sit somewhere and be empty. I can see it, myself by the beach, sat up high in the dunes with my legs folded below me and the tree line running at my back. Even the waves are reverent, their flagellations hushed into the sand and soaked up inside the earth, the waters of the world behind it backed upon the sky so too perfect shades of blue kiss out a horizon. I sit in this, amidst all this, and I am empty. Nothing touches me, not so much as air disturbs the tranquility of my skin, and I do not need it, I am sustained by my own absence. Removed, so far removed that I float. Inside and out, scaled to infinity inside existence, sealed by convergence in the void of all things, I am absorbed absolutely. The purity, such nothing. And then the sharpening of the knives, they tell me I must die. The sky withers and the waves start to squall, sand burns to glass before an ever screaming maw and the blackness widens its breach upon the distance. Consumption all consuming, they take me apart with their presence and I feel so isolated. So alone with myselves, caged in paralysis by the binding of my insides. I can’t do anything from here and though I sit with a passive face, I die inside in myriad and the screaming could be mine but it’s impossible to tell when all our voices sound the same.

Alight

Diana talks to me as a splinter gliding across my heart. There’s nothing sharp as emptiness, high contrast edges. Standing in comfort even under duress because paired is right and more to tame the boundaries fight. That darkness though, frontier hunter, seeping in from hunger, inevitable, so they say. And the splinter landing, stuck with improbable weight, doesn’t go aweigh but sinks, forced to rock. Singing sirens out of reach, some doomed cantor confided and the poison supplied worked in candour, assuring you good night. In time you’ll learn to die, where nothing, sharpened emptiness, will wait for you.

Counsel

They told me to. I don’t know, I didn’t really want to do it. Sometimes I have these other thoughts, ones that aren’t mine, telling me what to do. I mean they sound like me and I know they’re just in my head, but that’s worse I think. They turn up without warning and say things I don’t agree with, hounding me with torturously precise intimacy, and I know they have to be just as real as I am because my voice is in here too. If they don’t exist, how can I think therefore I am? Who’s left?

Ballet

She doesn’t look at me much while she’s talking but there’s lots of casual touching, bumping her shoulder into mine and that sort of thing. It’s endearing, even if it’s a bit sad and transparent. ‘I don’t have much luck with guys,’ she says in tone of incantation. Her fingers graze upon the back of my hand, indelicate and openly hungry. ‘They’re never as nice as they seem.’ I tell her I’ve seen, ‘wolves dressed as sheep, your men,’ and lambs throwing themselves under the tooth, both prey and predation. ‘Do you want to eat?’ she says, ‘I’m starving.’

Inapposite

Through the distance of space and the closeness of technology we discuss the dissipation of relations that never were. I tell myself I did the right thing, then apologise to her for not making any promises. Thinking of the future and ignoring the past, I tell her, I don’t want anybody to get hurt. She calls me an asshole, it’s true enough so that I pin it to my heart beside my other still-beating disappointments, a sodden general’s medal array. None for valour. I’ll a see you later, she says and then it’s done, because nothing ever happened.

Desirous

Dinah yanked the last hair free and took it between the thumb and ring finger of her left hand. She set the tweezers down, held the hair in front of her and looked right past it to the truth within the mirror. ‘I always get so red,’ she said. Flicking at the iPad cradled in her yoga posed legs, Juliette didn’t look up but stiffened slightly and pulled in a breath, ‘It’s your skin babe. Porcelain marks easy, but it’ll fade.’ Dinah blew the hair away and wished, wondering if an eyebrow would work as well as an eyelash.

Sane

Lately, things are wrong in a way they never used to be. My mouth tastes like ash and my fingers hurt. I’m tired all the time in a way that doesn’t make me want to sleep. Time is my enemy and it works in seditious ways. I don’t relate to my life anymore, it’s always something described to me on other people’s terms. Events get all mixed up like colour swatches in a paint store explosion. I worry that I’m not crazy enough for any of this, but Sasha says we’re all crazy, that we need it to survive.

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