All that blood and fat and bile wrapped in translucent shower curtain skin like a poorly rendered sausage casing, he already looks like meat, now Laura wants to cut it up. ‘It’ll make him easier to move,’ she says, dismissing the effort of severance, ‘then maybe we can feed him to some pigs.’ Doubtless she imagines that somewhere in the city is a poorly guarded piggery, full of famished swine with a stake in ironic justice. I run my hand across the bath’s enamel lip, the perfect porcelain craftsmanship, and tell her, babe, there ain’t anything eats the teeth.
Nic Addenbrooke is a freelance writer, editor, content creator, radio broadcaster, part-time poet and sometimes artist. Nic has been coming to terms with existence for years. He currently lives and works in Brisbane where he struggles to turn the cacophony of voices in his head into things of substance. It doesn’t always work but occasionally produces a nice veneer of sanity.
12/06/2014 at 02:03
wow. This is very tactile. I love the description you use.